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Patented June Z8, 1870.

MUSIG NOTE BLOCK.

G. J. 8v J. COSTELLO.

7 Il Le l illnted. Sisme OmlnLEs J. OOSTELLO, OF' KINGSTONANO JOHN. COSTELLO, Ory New YORK, N. rf

Deum Pawn: No. 104,833., dated .rune 28,1870;v

The Schedule referred to in thun Letten Patent and making put of the lam We, CnABLns J. COSTELLO, of* Kingston, county'.

'of Ulster 'and Stateof NewYork, and J onN COSTEL- v fLO, ofthe city, county, and State 0f New York, have' invented certain Improvements in Music-note Blocks,

` 'blocks of-wood or equivalent material, of eubcalform,

'and painting' -thesdes' of ,each cube in different colors, ,n'nmbeng"tlieblocks, and writing on the-faces of said blocksjcertaih-i6ha1actersused 'in music, sO that the blocks, whernrranged'in numerical order `u nd of unilform color, will .present lsheet of music 'containing `a primary lesson in the art, and, by turning` the blocks Aover, so asto again representa sheet of uniform, but different color, wil l represent a second music-lesson, and s o on, from onelto eight or more lessons,as we will `furtherexplaiul by reference to the accompanying ldrawing,lin whichi Figure 1. represents face 1 orl twelvev blocks of uniform color, representing the stad-lines, spaces; letters, ledger-lines, the different qualities of notes used 'in music, viz: The'whole, half, quarter, eighth, sixteent-h, thirty-second, and. sixty-fourth notes.

Figure 2.1'epresents'the said blocks removed from the case and arranged in line.

Figure 3 represents face-"2, showing the completescale of C major, treblejclef, with its' syllables and lettess, its thirds, fifths, octave, and chords.

Figure 4 represents face 3,'. showing twelve of the ,principalkeye their names, by letters,.a'nd theiinsig- :natures by Sharps and Vflats also, the dierent vau'eties of time in common use. l I i I v- .Figure 5 represents face '4, showing. the complete scale ofC major, bass clef, 'with its s kllsiblesand 'letters, its fourths, sixths, sevenths, an, double cetera( Figure 7 represents face 5 7 or thblocksron nml,

fshowing the. various rests, viz g Six-bar, four, and t,\vo`

bar rests, a.lso the rest. corresponding \vith` the' derent quality of notes .nsedin music, together with thestaccato, repeat, 'andvnal ending.

Figure 6 representsface6,v or the opposite ends o l'- said blocks, showing the sivns'used todesignate the sharp, double sharp, fiat, nlouble flat, natural, turn,` slur, direct bau-"double-bar, first and second ending, triplet-,1swel1`,dminneudsand crescendo.'

Weare aware. 'thatpaten'ts have' been granted `foi alphabetbloeks, to aid in teaching childrens know]- L edge of the alphabet, to spell and pronouncelfaiticnlate sound's,' in whichthe organs of speech are employed, and `being enti'relyrdilferent from 1tl1e\intent and nature of our invention; "we do .not claim such, as our invention is intended as a4 medium for operate ing a machine, instrument, or-mecanical cqntrlrance, in which the hands, or hands -and feet, are employed to prdueej harmonic sounds, and make, as it were', the

pianoforte speak, while it. affords instruction and' amusement to children. i,

, Y What we claim as' our invlcn'tinh, and desire' to secure 1 byLetters-Pat'ent,

' AThe series of blocks, marked'or printed with musi? cal characters and dierent'ly colored en thcir several faces and numbered, so that the correspondingfaces Aoflike color, in the wholeseries, arranged asset forth,

shall `respectively constitute representations of ele-` menltzuy music lessons, substantially nshelein speel-l In testimony whereof we havelieieuntoset cin"- signatures this 29th day of April,-1870. I

I CHARLESJ., COSTELLO.'

`Wituessesz ARTHUR NEILL, EMILE Momz. 

